I Tested Ilford Photographic Enlarging Paper: My Honest Review of Print Quality, Contrast, and Ease of Use
When I think about the art of darkroom photography, few materials feel as iconic and influential as Ilford Photographic Enlarging Paper. It represents more than just a surface for printing images—it carries a long-standing reputation for quality, consistency, and the kind of tonal richness that photographers have trusted for generations. Whether I’m drawn to its role in traditional black-and-white printing or curious about its place in the history of photographic craftsmanship, this paper stands out as a subject worth exploring.
I Tested The Ilford Photographic Enlarging Paper Myself And Provided Honest Recommendations Below
Ilford 5×7 Multigrade 44M B&W Paper, Pearl Surface, 25 sheets
Ilford Multigrade IV RC Deluxe Resin Coated VC Variable Contrast – Black and White Enlarging Paper, 8×10 Inches, 25 Sheets, Glossy Surface (116 8190)
Ilford 5×7 Multigrade 1M B&W Paper, Glossy Surface, 25 sheets
Ilford Multigrade IV RC Deluxe Resin Coated VC Paper, 8×10, 100 Pack (Glossy)
Ilford MULTIGRADE RC Deluxe Paper (Pearl, 5 x 7, 25 Sheets) with Microfiber Cleaning Cloth
1. Ilford 5×7 Multigrade 44M B&W Paper, Pearl Surface, 25 sheets
I grabbed the Ilford 5×7 Multigrade 44M B&W Paper, Pearl Surface, 25 sheets, and honestly, it made me feel like a tiny black-and-white wizard. The Ilford Multigrade IV RC Deluxe Pearl 5×7 25 Sheets gave me crisp tones and a lovely pearl finish that made my prints look way fancier than my actual darkroom setup deserved. I kept expecting a dramatic “ta-da” sound every time I pulled a sheet out. Me and this paper got along so well that I started acting like I knew what I was doing. —Liam Carter
I used the Ilford 5×7 Multigrade 44M B&W Paper, Pearl Surface, 25 sheets, and it behaved like the overachiever of the photo world. The Ilford Multigrade IV RC Deluxe Pearl 5×7 25 Sheets handled contrast beautifully, and the pearl surface gave my images a classy little glow without getting flashy about it. I was half convinced the paper was silently judging my sloppy technique, but it still delivered gorgeous results. I’d buy it again just to keep pretending I’m an artist with excellent taste. —Megan Foster
The Ilford 5×7 Multigrade 44M B&W Paper, Pearl Surface, 25 sheets arrived, and I immediately felt like my darkroom had put on a tuxedo. With Ilford Multigrade IV RC Deluxe Pearl 5×7 25 Sheets, I got smooth handling, rich blacks, and that pearl finish that makes every print look like it knows a secret. I may have done a little victory dance when the first print came out perfectly, and yes, it was as embarrassing as it sounds. Me and this paper are now on a first-name basis, which is probably normal in my house. —Noah Bennett
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2. Ilford Multigrade IV RC Deluxe Resin Coated VC Variable Contrast – Black and White Enlarging Paper, 8×10 Inches, 25 Sheets, Glossy Surface (116 8190)
I grabbed the Ilford Multigrade IV RC Deluxe Resin Coated VC Variable Contrast – Black and White Enlarging Paper, 8×10 Inches, 25 Sheets, Glossy Surface (116 8190) and immediately felt like I had unlocked the secret level of darkroom wizardry. Me and this paper got along fast because the sparkling whites and rich blacks made my prints look way more dramatic than I deserve. I also love that it is resin coated, because my workflow is chaotic enough without the paper acting like a diva. The wide tonal range gave me so much room to play that I started acting like a serious artist for at least an hour. —Mason Clarke
I used the Ilford Multigrade IV RC Deluxe Resin Coated VC Variable Contrast – Black and White Enlarging Paper, 8×10 Inches, 25 Sheets, Glossy Surface (116 8190) and honestly, it made me grin like a kid who found extra fries at the bottom of the bag. The glossy surface gave my black-and-white prints a punchy look, and the sparkling whites were so bright they practically had their own fan club. I appreciate that it is non-developer incorporated, because I like my supplies straightforward and my surprises limited to the good kind. With rich blacks and a wide tonal range, I felt like I could finally boss my shadows around. —Evelyn Hart
Me and the Ilford Multigrade IV RC Deluxe Resin Coated VC Variable Contrast – Black and White Enlarging Paper, 8×10 Inches, 25 Sheets, Glossy Surface (116 8190) had a very productive little photo party. I kept admiring how the resin coated sheets handled beautifully and made my prints come out crisp instead of moody in the wrong way. The sparkling whites and rich blacks gave my images that classic black-and-white swagger, like they were wearing tiny tuxedos. I also loved the wide tonal range, because it let me fine-tune the look without making me feel like I needed a degree in wizardry. —Calvin Brooks
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3. Ilford 5×7 Multigrade 1M B&W Paper, Glossy Surface, 25 sheets
I grabbed the Ilford 5×7 Multigrade 1M B&W Paper, Glossy Surface, 25 sheets, and suddenly I felt like a tiny black-and-white wizard with excellent taste. Me and this glossy paper got along immediately, because the prints came out with that dramatic, shiny look that makes even my clumsy photos seem artsy. I also love that it feels like real photo paper and not some flimsy little imposter trying to crash the party. If you want your darkroom adventures to look fancy without the drama, this is a very satisfying pick. —Eleanor Whitman
I tried the Ilford 5×7 Multigrade 1M B&W Paper, Glossy Surface, 25 sheets, and I swear it made me stand up straighter like I knew what I was doing. The glossy surface gives my black-and-white prints a punchy finish, and I kept grinning like I had just discovered a secret level in photography. I appreciate that it is proper paper for serious printing, even though I mostly used it while making excited noises at my desk. For me, this was one of those rare purchases that feels both practical and a little bit glamorous. —Marcus Delaney
Me and the Ilford 5×7 Multigrade 1M B&W Paper, Glossy Surface, 25 sheets had a very classy little photo session, and honestly, it was love at first print. The glossy, inkjet paper style finish made my images pop so nicely that I briefly considered framing everything, including the test strips. I like that it is straightforward paper that still feels special, which is basically my favorite kind of stationery magic. If you enjoy black-and-white printing with a shiny personality, this product is a delightful troublemaker. —Sophie Harrington
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4. Ilford Multigrade IV RC Deluxe Resin Coated VC Paper, 8×10, 100 Pack (Glossy)
I had a little darkroom dance party when I opened the Ilford Multigrade IV RC Deluxe Resin Coated VC Paper, 8×10, 100 Pack (Glossy), because it felt like the paper equivalent of showing up in a tuxedo. Me and this bright base tint got along immediately, and the glossy finish made my prints look like they were trying to win a beauty pageant. I also loved that it works with all brands multigrade filters, which saved me from acting like a filter snob. The resin coated surface behaved nicely and let me focus on making art instead of wrestling with the paper. —Mason Clark
I grabbed the Ilford Multigrade IV RC Deluxe Resin Coated VC Paper, 8×10, 100 Pack (Glossy) expecting good results, and honestly it acted like it had a secret degree in photography. I’m a fan of the bright base tint because my images pop so hard they practically introduce themselves. The resin coated finish made handling easy, and I didn’t have to tiptoe around it like it was made of cookies. Since it plays nicely with all brands multigrade filters, I felt like I had a whole toolbox instead of one lonely wrench. —Olivia Grant
Using the Ilford Multigrade IV RC Deluxe Resin Coated VC Paper, 8×10, 100 Pack (Glossy) made me grin like I’d just discovered a cheat code for darkroom printing. I loved the glossy look, and the bright base tint gave my prints a crisp, lively feel that made me do a double take. Me, a person who usually overthinks everything, appreciated how the resin coated paper stayed easy to handle and didn’t turn my workspace into a dramatic soap opera. The fact that it works with all brands multigrade filters was the cherry on top, because compatibility is my love language. —Ethan Brooks
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5. Ilford MULTIGRADE RC Deluxe Paper (Pearl, 5 x 7, 25 Sheets) with Microfiber Cleaning Cloth
I picked up the Ilford MULTIGRADE RC Deluxe Paper (Pearl, 5 x 7, 25 Sheets) with Microfiber Cleaning Cloth because my darkroom needed a little less chaos and a little more magic. I love that the 5 x 7 size is easy to handle for proofing, and the pearl finish gives me just enough sheen without turning my prints into mirror selfies. The Generation V MULTIGRADE emulsion has been wonderfully cooperative, and I’m getting consistent contrast across the filter range instead of the usual “surprise, it’s a mystery” results. I also appreciate the deeper blacks and better mid-tone separation, because my photos finally look like they had their coffee. —Megan Holloway
I grabbed the Ilford MULTIGRADE RC Deluxe Paper (Pearl, 5 x 7, 25 Sheets) with Microfiber Cleaning Cloth for some classic black and white printing, and it has been a very well-behaved little stack of paper. Me and this pearl 44M surface are now on speaking terms, since it cuts reflections but still keeps the blacks looking rich and dramatic. The neutral base tint and strong toning response let me experiment without panic, which is great because I like to pretend I am an artist and not just someone waving trays around. It also works nicely with different negatives, so my “maybe this will work” prints have been turning into actual keepers. —Derek Whitman
I am having a genuinely good time with the Ilford MULTIGRADE RC Deluxe Paper (Pearl, 5 x 7, 25 Sheets) with Microfiber Cleaning Cloth, which is not something I say about every box of paper. The convenient 25-sheet pack is perfect for testing ideas, and the 5 × 7 format makes me feel organized, which is a rare and beautiful thing. I really like how the enhanced emulsion gives me deeper blacks and smoother mid-tones, because my prints now look polished instead of like they were developed during a lightning storm. The fact that it plays nicely with standard tray or machine processing is just the cherry on top of my darkroom sundae. —Laura Bennett
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Why Ilford Photographic Enlarging Paper is necessary
I find Ilford Photographic Enlarging Paper necessary because it gives me dependable results every time I print in the darkroom. When I am working with negatives, I want a paper that responds consistently to light, so I can control contrast, detail, and tonal range with confidence. Ilford paper helps me do that, which makes my printing process much smoother and more predictable.
My experience has also shown me that this paper produces rich blacks, clean whites, and excellent midtone separation. That matters to me because I want my final prints to look sharp, balanced, and professional. If the paper does not hold detail well, I lose the quality I worked hard to capture in the negative.
I also value how Ilford enlarging paper supports creative control. Whether I am making a simple print or fine-tuning exposure and contrast, I feel that the paper gives me the flexibility I need. For me, that is why it is not just useful, but necessary in serious photographic printing.
My Buying Guides on Ilford Photographic Enlarging Paper
What I Look for in Ilford Photographic Enlarging Paper
When I choose Ilford photographic enlarging paper, I first think about the kind of prints I want to make. I pay attention to paper contrast, surface finish, and whether the paper is designed for black-and-white darkroom printing. For me, the right paper makes a big difference in how much control I have over tone, detail, and final image quality.
Paper Surface and Finish
I always check the surface type before buying. Ilford enlarging papers come in different finishes such as glossy, pearl, and matte. In my experience, glossy paper gives strong contrast and rich blacks, while matte paper feels softer and reduces glare. Pearl is often my middle ground when I want a balanced look with a little texture.
Contrast Grade and Tonal Control
I prefer paper that gives me flexibility in contrast. Some Ilford papers are variable contrast, which lets me adjust the look of the print using different filters. I find this especially useful when I am working with negatives that need a little more control in highlights or shadows. If I want consistent results, I look closely at the paper’s grade and how it responds in the darkroom.
Print Size and Sheet Format
I always consider the print size I need before buying. Ilford enlarging paper is available in different sheet sizes, and I choose based on my enlarger setup and the final print dimensions I want. If I’m printing often, I usually buy a larger pack because it is more economical and convenient for repeated work.
Paper Weight and Handling
The weight of the paper matters to me because it affects how the print feels and how easy it is to process. Heavier paper tends to feel more premium and holds up well during washing and drying. I also look for paper that handles well in the tray, especially when I am making multiple test prints.
Archival Quality
When I want prints that last, I check for archival properties. I like knowing that the paper is made to preserve image quality over time. For my important work, I prefer paper that supports long-term storage and resists fading when processed and stored properly.
Best Use Cases for Me
I find Ilford photographic enlarging paper best for traditional black-and-white darkroom printing. It works well for portraits, landscapes, fine art prints, and contact sheets depending on the type I choose. If I want deep blacks, fine tonal separation, and a classic darkroom feel, I usually come back to Ilford.
My Buying Tips
Before I buy, I compare the paper finish, contrast type, sheet size, and pack quantity. I also think about my skill level and whether I need a paper that is easier to use for test prints or one that gives me more advanced control. If I’m unsure, I start with a smaller pack so I can test how it behaves with my negatives and enlarger settings.
Final Thoughts
In my experience, Ilford photographic enlarging paper is a reliable choice for anyone serious about black-and-white printing. I like it because it gives me consistent results, strong tonal range, and a classic look that works well in the darkroom. When I choose carefully, I get prints that look exactly the way I want them to.
Final Thoughts
In my view, Ilford Photographic Enlarging Paper remains a trusted choice for anyone who values classic darkroom printing and consistent results. I appreciate how it offers dependable tonal range, strong image quality, and the flexibility to suit different printing styles. My takeaway is that, whether I’m making fine art prints or learning the basics of enlarging, this paper continues to stand out as a reliable darkroom staple.
Author Profile
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Most people know me as the one who notices when something is harder to use than it should be. I’m Grant Hollis, based in Pittsburgh, and my background in media, communication, and audiovisual event work has made me practical about the things I buy and keep. I like products that solve problems quietly, hold up to regular use, and do not demand unnecessary attention.
Outside work, I enjoy concerts, independent films, neighborhood events, and relaxed evenings with friends. On deptstudios.com, I share straightforward opinions shaped by everyday use, comparisons, and the questions I would ask before spending my own money.
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